Thursday, 27 August 2015

Time Consumer


Organisation is important. I’m not sure exactly how many assets are in the project for The Great Forest, but I do know that we’ve easily cleared 2.2 TB in footage alone. And as of this week, every single clip is in its appropriate bin, has markers for suggested in and out points, markers for notes (both from Marli and myself) and brief descriptions attached to each clip. I think the logging and ingesting stage of any project is the most tedious and painful, but it’s a necessary pain. There’s nothing worse than having to sift through mountains of footage to find the right clip, or having to re-link scattered and unorganized media that has somehow gone offline (#themfeels). So that’s what this week has been all about- hanging out with Marli and going through every clip in the project, deciding if we think we will have a use for it, deciding WHERE we may have a use for it, and how it could play along in the story. I’m definitely not a fan of scrapping footage from a project, because I truly believe that so many clips that originally seemed unusable may prove to be usable somewhere down the line-so every clip has to answer the following questions-
·       
           Is it in focus? No? get rid of it
·      
     Are there 4 other takes that are EXACTLY the same? Yes? Pick the best and get rid of the rest
·      
           Is the dolly movement reminiscent of those old school city circle trams? Yes? It’s gone.
     

     While these clips are cleared from the project, they’re not gone forever. They’ve been relocated from the fast RAID drive to the slower HDD, and will probably be revisited from time to time- while it’s highly unlikely, there may just be a use for them somewhere down the line, and I don't want to shoot myself in the foot just yet.

The Back-end of Forever

I’ve got a beer in one hand, a cigarette in the other, and I’m in a state that can only be described as ‘self-pity drunk’- the place where shame and depression culminates in one big 'Fuck you' from life, to me. Cheers mate. It’s 2014, and post production on 16mm isn’t going too well- I’m absolutely convinced that I’ve done such a terrible job cutting Where No Vultures Fly, that I’ll never be asked to edit anything again, so I jump on board immediately when Marli pitches me her 3rd year idea- a natural history documentary, called The Great Forest.

Jump forward 7 months to December, and Marli has already started shooting her documentary- a film that hasn’t even been pitched or approved, but hey, apparently Marli is an organised kid (who knew?). I pick up the footage and take it home- 330GB of camera test footage, shot on the Red Epic. Transferring the files onto my computer is where everything went south, and I realized that the term ‘post-production’ is quite misleading. It turns out that with an average data rate of 88MB/s (that’s no typo on the capital ‘B’ by the way), I’ve got a choice to make- either succumb to setting up a mattress underneath a desk on campus, or say goodbye to my struggling and archaic computer, and build something new, from the ground up. Allegedly building your own PC is like Lego for adults, and considering that it will also serve as an investment for the future, I make the decision to take the plunge. Amidst my overwhelming excitement of having a workstation that can execute actions even faster than I can think them, A sudden realization smacks me right in the face- my knowledge of computers doesn’t expand far beyond knowing what RAM stands for, and even then, I couldn’t tell you what it actually does. So the next hurdle I reluctantly face is to embrace my inner nerd, and hit Youtube hard.
Weeks later, my data allowance feels like it should be capped out by now, after watching every video I can find relating to RAM, graphics cards, cooling systems, RAID storage, CPU, SSD’s… To be honest I’m not even sure what I learned, all of those videos are just a blur of some guy explaining things with ease, and consequently resulting in myself feeling stupid for not being able to keep up.
Luckily, I’ve got some friends who can help me out in the process (thanks goes here for Sam and Bobby). So I take everything I’ve learned from my research, run it by my mates who are in the know about this sort of thing, and then go get a quote at the computer store. A few tweaks to what I had initially planned, and I walk out of there with a piece of paper that says I should come back with $2000 (excluding the raid storage, extra Ram, and second monitor- that came later).

The result-

Quad core i7 processor- four cores is better than one I guess? In hindsight it would have been wise to fork out an extra couple of hundred on a better processor, but this is by means a wimpy effort.

256GB SSD- For the operating system and all of the editing software- I need something fast, and a HDD just won’t cut it.

6TB HDD- Maybe this was a little overkill- but it does serve as a decently sized internal storage solution- all footage that isn’t currently being used in a project can just live here for a while. Plus it turns out I have a ludicrous amount of raw images that need somewhere to live.

2TB RAID 0 array (added later)- apparently it’s technically not RAID, because neither drive is redundant. But both drives are 7200RPM, working together in unison, like Ben and Jerry. I just have to cross my fingers that these drives don’t meet the untimely fate of the ice-cream moguls.

4GB GPU- at a guess, 50% of the footage from The Great Forest will require some sort of effect- reframing or punching in, stabilization, flipping horizontally, etc. the GPU will take a lot of weight off of the CPU during these actions.

16GB of RAM (an extra 16 was added with the RAID array 2 months later)- because… 32 is better than 16 right?

Second monitor (32 inch)- I swear I'm not overcompensating for something, I just think editing on a single monitor is far to condensed.


It’s now May, and I’m ready to edit. I’m unsure if the whole endeavor could be seen as an indulgence, I guess I could have survived the year editing from uni- but putting aside the whole idea of this being an investment for the future; I can’t possibly fathom spending every night in the late lab, rotting away under florescent lights. And this way, I get to name a PC. Ladies and gents, I’d like you all to meet Latoya.